A Comedy (or a Greek Tragedy) Tonight

There have been two times in my life I have been so grateful to see the ground that I’ve kissed it: Once was in New Mexico one summer after the round-trip ski lift ride Richard and I took for “fun” delivered us safely back to the bottom of the mountain; the other time was arriving home last Friday night after seeing Paul Reiser at Zanies in Rosemont.

The reasons I was so happy to see the ground after the ride on the ski lift were because a) I’m afraid of heights b) I was pregnant and wanted to enjoy the only five days out of my entire pregnancy that I wasn’t “reviewing my lunch”, as my obstetrician delicately referred to barfing, and c) a sudden thunderstorm approached resulting in a hasty ride back down as we clutched the benches of death dangling hundreds of feet above the mountain in an attempt to return before lightning had a chance to strike.

The reason I was so happy to arrive home Friday night was because Veronica and I  got so lost in Rosemont looking for Zanies after dinner at Harry Caray’s that instead of working together to find it, we turned on each other like hungry jackals on a National Geographic special. Our attempt to have a special mother/daughter evening of comedy became a comedy of errors.

The plan we agreed upon was to head to Rosemont to have dinner at Harry Caray’s and then enjoy the comedy stylings of “Mad About You” star Paul Reiser at Zanies Comedy Club.

Because we arrived at the restaurant one-half-hour early, Veronica tried to talk me into going to Rivers Casino before dinner. I told her that dinner and a show were enough for me for the evening and I didn’t want to take the chance of being late for our dinner reservation. Plus, I was so out of my geographical comfort zone I didn’t want to end up lost on my way to the casino or back to Harry Caray’s.

Boy, can that kid be persistent. She can talk at me incessantly until my brain gets so confuffled that it’s easier to give in than argue. I finally acquiesced at which point she commandeered my GPS and plugged in the address of the casino. I began to follow the route until I realized just how far away it was from our destination.

After driving a few miles toward the casino I decided to stick to the original plan and informed Veronica that I was going to turn around and head back to Harry Caray’s. That’s when things became a tad uncomfortable between us.

Veronica told me I was no fun. I told her she was being difficult. She told me I was being lazy and that we had plenty of time to go the casino, go to dinner, and get to the show on time. I might have said something about her acting bitchy. She told me I hurt her feelings. That was the first time during our special bonding evening I almost decided to just go home.

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But, we managed to calm down and enjoy a lovely dinner, followed by a photo shoot with the nose on the bronze bust of Harry Caray.

I am not good with directions.* Luckily, Veronica has Richard’s keen ability to know where she is and how to get from point A to point B. The problem was that we became so upset with each other (again) that she refused to help me figure out how to get to the show. If I were her I would have helped me because who wants to be stuck in a car with her panic-attack-ridden mother any longer than necessary while circling like an airplane arriving from Yemen waiting for clearance to land?Even though I confirmed my printed Google Maps route from Harry Caray’s to Zanies with the restaurant manager, who referenced a McDonald’s on a some corner or another,  I missed the turn and saw that not only were we not in Kansas anymore, we weren’t even in Rosemont anymore.

Veronica loses patience with me on a daily basis. I forget things. I repeat myself. I repeat myself. And, I’m her mother. I didn’t blame her for getting frustrated with me, but instead of helping she ignored me. At that point it’s possible I mumbled something like “This idea was a horrible mistake,” which she ignored. That was the second time that evening I almost went home, but I couldn’t even tell you how I’d get there.

As airplanes descended to O’Hare immediately overhead causing us to feel the need to physically duck while in the car, I pulled into a parking lot to locate Zanies on my GPS. Apparently my GPS was having PMS. After plugging in the address for Zanies in Rosemont my GPS informed me that it couldn’t find the location. I turned around and began to retrace my route. I passed a McDonald’s on some corner or another, so I was slightly encouraged. But I didn’t see a sign for Zanies anywhere along the way.

I pulled into another parking lot and tried finding directions on my iPhone. No luck there, either. While I thought she was still completely ignoring me and not giving a tiny rat’s ass about the fact that we were hopelessly lost, Veronica called Zanies and asked for directions. For a minute after she hung up I didn’t think she’d share the information she had just learned with me. She did, but we still saw no signs for Zanies. We saw the same McDonald’s again, though.

Eventually we saw a sign for “The Entertainment District” of Rosemont, but there was no sign listing the entertainment it districted. The bright, colorful lights of “The District” beckoned me like the Sirens in The Odyssey, plus, they were really shiny.

Because I had no other idea of where to go, I drove toward the pretty lights and came upon a policeman directing traffic. I asked him if he could direct us to Zanies. Maybe it was my quivering chin and water-welled eyes, or the venomous look on Veronica’s face, but he knowingly nodded and said, “Don’t worry, Hon. No one can find it. I’ll get you there.”

The nice policeman told me to make a u-turn, which I didn’t want to do because there were police there for heaven’s sake. But he had told me to do it, so I did. He said to stop when I reached him again. I did. He told me to drive up the ramp ahead of me to the parking garage for “The District”, park in the garage, take the elevator down to the ground floor and Zanies would be there. He said it was behind all of the other buildings and not visible from the front. I thanked him profusely, and possibly even blew him a kiss.

We did what the nice policeman told us to do. After parking in what seemed like another zip code altogether, we took the elevator down to the ground floor thinking we’d be at the entrance to Zanies. No, we were in the parking lot vestibule. We had to go outside, walk around an outdoor ice rink, cross the street, and, as if a mirage, we finally found Zanies.

I ask you, “How are people supposed to find a place that is hidden behind other buildings with no signs leading you there?” Dave J. from Wheeling wrote the following review on www.yelp.com: ”Before I review Zanies itself, allow me to comment on the parking situation and the layout of the Entertainment District. I can sum it up in three words: PUT UP SIGNS! The signage in the garage and in the Entertainment District is TERRIBLE. You have to have your head on a swivel when you’re walking through the poorly laid out traffic garage (even one of the comedians at Zanies commented that the garage was like an episode of “Survivor”). People are in a hurry to find parking spaces, the lanes marking where the traffic aisles are located are not clearly delineated, and signs directing you to stairways, elevators (which I couldn’t find at all, btw), and the restaurants and other facilities in the complex are virtually non-existent. While you’re looking for signs directing you where to go, you could get hit by a car driven by someone looking for signs directing him where to go.” Exactly my point, Dave J. from Wheeling.

Because we arrived so late, we were seated in a booth big enough for a party of eight because that was all that was still available. Nice. By that time Veronica’s eyes looked vacant. I even kindly offered to take her home. But then our waitress appeared and said to her, “you look like you need a drink.” Since there was a two drink minimum, Veronica ordered a “Kathy Griffin” (RumChata and chocolate liqueur) and a “Gallagher” (Watermelon and berry liqueurs, lemon juice and vodka) at the same time. I ordered two Cokes.

A man named Scott was seated with us right before the show began. We introduced ourselves to each other and it turned out he was friends with Paul Reiser and was going to film the show Saturday night. I dropped Bitter Jester Creative’s name to see if he knew Nicolas DeGrazia and Daniel Kullman and he said he did. I felt so grateful and so connected to the comedy/film-making scene at that moment. It made me feel as if our entire escapade had been worth it. Almost.

Thanks to Nicolas DeGrazia, Daniel Kullman, The Comic Thread, and Chicago Comedy Sketchfest 2013, I had enjoyed two weekends in a row of laughing myself silly. I relished the idea of being entertained a third consecutive weekend by witty, laugh-out-loud comedy. Even though getting to Zanies and getting back home proved to be an adventure in recurring scenery, it was well worth the aggravation.

Paul Reiser was hilarious, not because he tried to be, but because he talked about things the audience could relate to such as the way the word “really”,with its accompanying head-bob, has become a question we use in our everyday vernacular, replacing volumes of other words in the English language. Next time you say, “Really?” to someone who insults you, cuts you off in traffic, or just all-around generally irks you, pay careful attention to your head. It will be bobbing.

He spoke about going to the doctor for a physical and hearing that if he lost 5-10 pounds his weight would be “ideal”. He told the doctor that he didn’t need to be “ideal”; that he was okay with his weight where it was.

He talked about how Jews are brought up to be “nice”. People say things like, “He’s a nice Jewish boy,” whereas Christians are brought up to be “good”. He said, “She’s a good Christian woman, but that doesn’t mean she’s nice.”

He remarked that the stage was so small he felt like he was the only guy in a police line-up, and described himself as a “delightful” husband. He talked about how you can be having a perfectly wonderful day with your spouse, and then around lunchtime one of you says something harmless that ends up upsetting the other, and then the day is ruined. So true. So funny.

I had a stomach ache; I was sweating, and crying from laughing. I laughed so much I was exhausted by the time he finished his set. His opening act and the host were crack-ups, too.

After Paul left the stage, Veronica and I serpentined through the crowd, ran out the door, crossed the street, ran around the ice rink and found an elevator vestibule. We found the car, cranked the heat and put the GPS setting on “home”.

Only I got lost on the way home, too; not because I didn’t follow the GPS, but because the exit from “The District” was in the far left lane and the exit to the tollway was an immediate turn from the right lane. As much as I wanted to get home, it wasn’t worth risking our lives.

It took a few “recalculatings” from my GPS, but eventually I was on the tollway (heading in the right direction!) and in familiar territory. I vowed that if we saw the McDonald’s on that corner one more time I was going to get us a room at the nearest hotel and return home the next morning during the light of day.

Even though I’ve been craving live comedy, after three weekends in a row of being spoiled by it, I was very happy to watch SNL last night and listen to my dad’s jokes over brunch this morning.

*Please click and read “Mission (Almost) Impossible”, the true story of how I ended up in a restricted area of O’Hare airport and was escorted out by police when attempting to pick Veronica up from the airport. https://talesofwildboomba.wordpress.com/2009/09/24/mission-almost-impossible/

Serious Comedy by The Comic Thread

If I could, I’d buy my tickets to see The Comic Thread at next year’s Chicago Sketch Comedy Festival  today. Having never walked into a theater lobby and being met by a woman dressed as “poop” walking around with a guy dressed up as a lobster who asked me to play with his balls (they were in a bag; Gee, I thought that would help explain the lobster balls, but it really didn’t.), I was unprepared for such a “happening”. My friend Jody, who was with her husband Jeff, was “game” and played with the lobster’s balls. She paid $1 to reach into the bag-o-lobster balls and pulled out a doll head. There were other prizes to be won, such as free tickets to see some of the 169 shows over the 8-day festival, so playing with lobster balls was not such a bad idea.

My husband Richard was keeping our place in line to see the comedy sketch troupe The Comic Thread, which I later found out he didn’t need to do. Because of the groovy press pass I was given by James Juliano of SHOUT Marketing and Media Relations, I can now go to the head of any line of any show during the duration of the festival because my press pass says, “I’m fucking important!”

My eyes wandered from the lobster’s balls when I saw a guy wearing only blue tightie…bluies, a leopard-print cowboy hat, and furry cowboy boots (which happens to be a fantasy of mine, but enough about me). I had no idea what I’ve been missing all these years.

Don’t worry. I’ll get to The Comic Thread’s outstanding sold-out-for-the-4th-year-in-a-row performance in a minute.

I just have to finish telling you about what was happening in the lobby because the magic began the moment Richard and I walked in. There was a girl in a tutu, a very twisted-looking Winnie the Pooh, a guy wearing jeans, a bunny head, and no shirt (another fantasy of mine), and a colonially-dressed guy –George Washington?– (definitely NOT one of my fantasies.)

We were let into the theater and after we had been seated for a few minutes all the characters we had encountered in the lobby ran onto the stage to introduce The Comic Thread, including the Master of Ceremonies, Executive Producer of Sketchfest, Brian Posen. The characters from the lobby quickly exited stage right as the lights dimmed and the audience members sat on the edge of their seats waiting to be entertained.

I’ll tell you right now, I laughed, and if you know me you know that I laugh loudly no matter how hard I’ve tried over the years to bring it down a notch, from the moment the show began until I realized we were walking down the street towards the restaurant and I should probably stop.

The Comic Thread is fucking important! It is completely obvious that Matthew Birnholz, Nicolas DeGrazia, Meg Grunewald, Daphne Scott, and Charles Turck take their comedy very seriously. They are the hardest working comedians in Chicago; maybe even the world! Each one could stand on his or her own, but as an ensemble they are unstoppable.

What makes each of  them such complete comedians is a combination of extraordinary material, obviously honed to the  point of defining who they are, and the way in which they trust each other and work with each other. There was no star. There was no one actor who obviously stole the show, except for, possibly, Charles Turck’s naked behind in the Peter Pan sketch. Don’t remember that from the Peter Pan of your childhood, do you?

Speaking of Charles Turck, his face speaks volumes when he’s not speaking. During The 7th Inning Stretch sketch, the ensemble sang an almost impossible rendition of “Take me out to the Ball Game”, except for Turck who just looked so perplexed it was hard for me not to fixate on his face, especially while my brain was trying desperately to figure out how the rest of the cast was achieving brilliance with a song we all know, or thought we knew.

Meg Grunewald brought Peter Pan to life, reprising the role of Elana Ernst Silverstein; a beloved cast member she had never met who recently passed away. In fact, The Comic Thread dedicated last night’s performance “with love to the enduring memory and friendship of Elana Ernst Silverstein”. Peter Pan was obviously a woman pretending to be a boy and when Daphne Scott’s “Wendy” called her bluff, Peter Pan’s obviously male shadow (played in a very tight-fitting black unitard by Matthew Birnholz)  killed her. Spoiler alert! (That’s for Nicolas DeGrazia who said “spoiler alert” after  revealing the ending  of the movie “The Hobbit”.)

The use of dramatic music, meticulously-placed lighting, and elaborate costumes for the shortest of sketches was unexpected and yet perfect. The Comic Thread, a division of  Emmy Award- wining Bitter Jester Creative, deserves the accolades it gets, and there have been many. To read them and to learn more about Bitter Jester Creative, go to http://www.bitterjester.com.

One last thing that impressed me to the core was the genuine affection they had for each other and for all of the other over 1000 artists performing in the festival. On Facebook there were shout-outs, recommendations, and heart-felt admiration for all of the other comedy sketch troupes participating in the 12th Annual Chicago Sketch Comedy Festival.

While The Comic Thread will not be performing again during Sketchfest, you can still catch other shows today, and from Thursday, January 10th through Sunday, January 13th at Stage 773, 1225 W. Belmont, Chicago. Meg Grunewald’s troupe “Just the Tip” will be performing Thursday, January 10th at 9:00 PM.  Call 773/327-5252 or visit their website at http://www.chicagosketchfest.com for more information.

Re-meeting Nicolas DeGrazia

I am a total and complete nervous wreck; and not just in my usual every-day-total-lack-of-self-confidence way. I am about to interview THE Nicolas DeGrazia, Creative Director and co-owner of Bitter Jester Creative, Inc., the Emmy Award-winning digital cinema company. Nic is also the producer and director, and one of the writers and actors of The Comic Thread (TCT), the sketch comedy troupe that won the first-ever Audience Choice Award at the 2012 Chicago Fringe Festival this past September.

I’ve met Nic before. We sat at the same table at an awards dinner about 7 years ago thrown by the Highland Park Chamber of Commerce to honor high school students who exhibited exceptional leadership skills. My daughter Veronica was being honored that night, and Nic and his business partner Dan Kullmanwere videotaping the event. They could not have been nicer when we met them. I know I have nothing to fear, and yet I can’t seem to calm down.

Until my sister Beth called. Usually Beth needs ME to calm HER down, but before she even had a chance to finish saying “Hello,” I jumped through the phone and said, “Oh, my God! You have GOT to help me! I am leaving soon to interview Nicolas DeGrazia, you remember him from the dinner we were at when Veronica received an honor, right?” Not waiting for an answer I continued, “He and I became Facebook friends through a mutual friend and when he saw I was a blogger he asked me to write a blog review of his show ‘The Comic Thread’ sketch comedy this Saturday that we’re going to. He told me to call the theater and ask for a press pass. Me? A press pass? What was I thinking when I agreed to do this? I thought it would be fun. It will be fun! I have nothing to fear, except what I’m going to wear that night? Wait! What am I going to wear today when I re-meet him?”

While I inhaled, Beth took the opportunity to say, “He’s just a person. He poops, too.”

For some reason, the common denominator of pooping really calmed my gut. “You’re right,” I said, as if I hadn’t thought of that, which I hadn’t.

“Even the Queen of England poops,” Beth said.

“I feel much better. Thank you,” I said calmly. “I have to get dressed, now.”

“Okay,” she said. “I’ll talk to you later. You can do this.” What a great much-much-much older sister I have.

Beth was right. Why should I be nervous? I’m not the one going onstage! I’m just writing about it. Hey, I can do that. That’s what I do every day. I write about life, usually mine, and other things I find humorous. I should be able to do this. I shouldn’t be Barney Fife-ing all over the place. But I am. My stomach is in Knotts.

I am almost 52 years old. Well, I will be 52 on Monday. And here I am shaking in my boots. Or should I wear clogs? Or my way-cool Asics running shoes? I want to look professional, but laid-back and casual, and I definitely don’t want to wear anything too matchy-matchy or cutesy-cutesy. So, I decide on jeans, a black Eileen Fisher sweater, black riding boots, my favorite long silver earrings that would look better on me if I had a much longer neck, and blue pinstripe panties for a smidge of professionalism, even if I was the only one who knew I was wearing them.

As I drove the 2 minutes from my house to the Bitter Jester headquarters, all I could think was, “What’s my motivation?”

Nic was adorable and relaxed, acting as if he didn’t have a show to produce in a couple of days and had all the time in the world to chat. He spent 2 ½ hours talking to me. I had no trouble thinking up questions to ask and he answered them all. He also gave me all of the background scoop on the birth of TCT, and invited me to come to as many shows that would be performed by other troupes as I could. He also gave me the names, phone numbers, and e mail address of the other players. I had worried over nothing.

Nic and his friends Matt Birnholz, and Charles Turck began writing and performing sketch comedy in 7th grade which led to a cable TV show that aired through Post-Newsweek Cable in Highland Park in the mid-90’s. Nic was then asked to join the cast of the brand-new skit comedy and improv troupe Super-Natty. Super-Natty performed in the summers for late-night packed houses, first at the former Attic Playhouse in Highwood, IL in 1998, and then at the former Apple Tree Theatre in Highland Park, IL  in 1999 and 2000. Matt and Charles became Super-Natty cast members in 1999.

Eventually Super-Natty morphed into The Comic Thread, co-founded by Nic and Charles along with  Mark Sheahen ( a Super-Natty crew member) and Ben Shearn (a Super-Natty cast member, writer, and co-director). Many other cast members and writers of Super-Natty joined them and they have been doing shows on and off in their free time since 2001. Beginning in early 2010, TCT has enjoyed  touring the country and Canada, performing at festivals and winning awards. Today, TCT can proudly say that it is one of the longest-running sketch comedy troupes in Chicago, and quite possibly, the United States.

I haven’t seen TCT perform yet, so I can’t wait until Saturday to watch the magic happen onstage. I don’t know what to expect, but from what I’ve read and heard about TCT, I have a feeling I had better not drink liquids at all that day, and try to pee before the show so I don’t wet my pants.

And while I don’t know exactly what TCT is, I do, however, know what TCT is not:

TCT is not a group of professional actors, per se. In fact, Matt Birnholz, Charles Turck, and Daphne Scott* are all doctors. Justin Birnholz (Matt’s brother and a former Super-Natty/TCT cast member and current TCT writer) is a DIT (doctor-in-training). Ben Shearn is a writer’s assistant living in L.A. and is not, never was and never will be a doctor. Nurse Nic DeGrazia, who is not a real nurse, is the Creative Director of Bitter Jester Creative (BJC) and told me that Meg Grunewald,** who is “on loan” to TCT from her own all-female Chicago-based comedy sketch troupe “Just the Tip” (is that not the best name you’ve ever heard of for a sketch comedy troupe, or even a restaurant?), is not a nurse or a doctor either, but could totally play one on TV.

None of the core TCT members has been trained. I assume they’re potty/and/or paper-trained, but not trained as actors. Charles, Matt, Mark, Justin, Nic, and his Bitter Jester business partner Daniel Kullman (also a TCT writer) have never been members of Second City or any of the Improv Olympics, or Comedy Sportz, the main staples of the Chicago comedy training scene. As Nic says, “We’re just people who are good at sketch comedy and have honed our craft independent of the ‘mainstream’ of this not-main-stream activity.” I’m not sure I totally get that last quote, but Nic is much more cerebral and funny than I, so I’m going with it.

But, I don’t just  have to “go with it” because Nic (in a nasty little nurse outfit) came to me in a dream last night and with a booming voice said, “Leslie, you should clarify that last paragraph. Tell your reader(s) that basically EVERYONE in the Chicago comedy world does Second City, Improv Olympics, ComedySportz, or a combination of any or all of them. Sketch comedy itself is not really main stream, even in Chicago. So, to be as increasingly successful, as we have been becoming, having avoided that mentality of, ‘Well, if you want to do sketch comedy you have to get trained where everyone gets trained’ means that we’re on the fringe of the fringe itself, in a way.” Then he took his stethoscope and fishnet stockings and vanished.

TCT also doesn’t have a set group of writers and performers. They rotate their cast members and writers, based on who is available and who can travel to festivals to perform at any given time.

The ONE NIGHT ONLY Comic Thread show is this Saturday, January 5th, 2013 at 6 PM at Stage 773, 1225 W. Belmont, Chicago.  Call 773/327-5252 for tickets, or get tickets online at: http://bit.ly/TCTSketchfest2013

A few things you should know about TCT:

SNL’s Garrett Morris called TCT “Brilliant”.

The troupe has performed for 14 years in 11 cities, and has sold out its past 3 consecutive appearances at Chicago Sketchfest, and it looks like this Saturday’s performance will continue the trend.

This past August the Shepherd-Express newspaper in Milwaukee referred to TCT’s performance in Milwaukee as the best thing to hit Wisconsin since cheese! Well, no, I said that. What the newspaper really said was, “The most interesting sketch comedy came from Chicago’s The Comic Thread. Even in independent theater, truly surreal and experimental work rarely makes it to the stage. Drawing on the comedy of the unexpected, their work can capture an audience with little more than a chocolate truffle. At one point, they thrust a random audience member into the spotlight and had her perform for a few minutes. None of the group members were onstage and yet they were in total control. Now that’s brilliant sketch comedy.”

www.chicagostagereview.com listed TCT’s upcoming performance at the 2013 Chicago Comedy Sketch Festival as an “Opening of Interest.”

For photos, please click the following link:

http://www.facebook.com/ComicThread/photos

*Daphne Scott received training through the Second City program.

**Meg Grunewald has spent a great deal of time working with the Improv Olympics.

Next blog post:

Interviews with the cast of The Comic Thread.